Where Bach was jailed, Asians pay homage

Michael E. Lawrence, writing for the New Liturgical Movement, has discovered this gem. Uwe Siemon-Netto, in residence at Concordia Seminary in St. Louis has a beautiful piece from the January, 2008 issue of the Asian Times. It is on the throng of Asians who will visit Weimar, Germany to see where Bach composed most of his organ works and was jailed. Here is a snippet from this marvelous essay:

The influx of Asians to Bach sites in Germany has been perplexing musicologists and theologians alike for decades now. They come in droves not only as tourists but also as serious students of music. Of the 850 students at Germany’s oldest state conservatory, the Hochschule für Musik und Theater Felix Mendelssohn-Bartholdy in Leipzig, 148 are Asians, chiefly South Koreans and Japanese, according to Ute Fries, dean of students. Bach was musical director of Leipzig’s Thomaskirche for the last 27 years of his life and wrote most of his cantatas there.

Leipzig’s late “superintendent” (regional bishop) Rev. Johannes Richter used to wonder even back in the days when this city was part of Communist East Germany: “What is it about his work that evidently bridges all cultural divides and has such a massive missionary impact for Christianity in faraway parts of the world?”

For years, Richter observed with growing fascination how in his Gothic sanctuary, Japanese musicologist Keisuke Maruyama studied the influence of the weekday pericopes (prescribed readings) in the early 18th-century Lutheran lectionary cycle on Bach’s cantatas. When he had finished, he told the clergyman: “It is not enough to read Christian texts. I want to be a Christian myself. Please baptize me.”

But this scholar’s conversion could have been attributed to the impact of pericopes’ biblical texts on Maruyama. Why, though, would a fugue have such evangelistic powers as it did on the Japanese organist in Minnesota? Why would even listening to Bach’s Goldberg Variations, which contain no lyrics, arouse someone’s interest in Christianity? This happened when Masashi Yasuda, a former agnostic, heard a CD with Canadian pianist Glenn Gould’s rendering of this complex Clavier-Übung, or keyboard study. Still, Yasuda’s spiritual journey began precisely with these variations. He is now a Jesuit priest teaching systematic theology at Sophia University in Tokyo.

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